I love this composition by Daisy, age 7, of Hall Elementary:
We talked about whether it was in duple or triple meter and decided clearly it was neither. I also love the change of resting tone from the beginning to the end and the jauntiness of the ending.
Beginning piano player Ernesto, age 10, pushed the envelope with chromaticisms in G to develop a blues concept so cool and suave it could be out of a 1960s spy movie, complete with orchestration:
My apologies (and gratitude) to Ernesto, Gabi and Takuto for my getting so caught up in the musical moments of their lessons that I forgot to record later versions of their improvisations. Actually I never recorded Ernesto or Takuto playing their blues at all, but at least I realized my mistake with Ernesto after his last class before vacation, so I could record what I remembered of his blues.
Below is an early version of Blues in F created by Gabi, age 11. In the next couple of lessons, she added a left hand accompaniment and extended her performance by adding another 12-bar chorus (a variation of the first 12 bars), shaping the 24 bars generally into an arch. It just kept getting funkier and groovier. But even on the very first day, her idea was already a treat:
The recordings below feature Isabela, age 10, beginning pianist and adventurous improviser. Her first bluesy improvisation enjoys a delicious swing that’s laid back and smart at the same time:
As Isabela was noodling around with the 12-bar blues, she discovered her classical style at the piano. Since she is an experienced student of classical ballet, I take this improvisation as a nod to that part of her:
Left to right: Clara (age 8), Gabi (age 11), Ana Carolina (age 6), Carla (the teacher), and Isabela (age 10)
Piano students delight in figuring out how they can make their own music based on the 12-bar blues progression. Take the improvisations of beginners Lara, age 10, and Clara, age 8. Lara improvised the following blues after she learned The Low Down Boogie and Flint Street Boogie by Marilyn Lowe:
Clara, when she was experimenting, really preferred the major tonality sound over minor or blues scales. So I told her that the 12-bar blues progression actually shows up in many musical styles besides the blues and boogie woogie, such as pop Continue reading
Musikhaus Piano Lessons 